cinétract about the conflict in Gaza march /april 2018. yannbeauvais.com/ vimeo.com/yannbeauvais Sigue leyendo
Archivo de la categoría: fórum
imágenes en transito
compuestos audiovisuales contemporáneos e intempestivos, amerindios y meridionales
compuestos audiovisuales del mundo
Sobre Aquilo Que Nos Diz Respeito by Cristiana Miranda (BRA)
A palha e a pedra, um jardim de rostos cobertos. Antigas histórias de espíritos e escravos. 2016 vimeo.com/crismiranda Sigue leyendo
Four Nights To Help Us Think (January) by Justin Serulneck (USA)
“In the quiet that night provides subtleties emerge that are otherwise hidden. By recomposing time through photographic exposures, we can perceive reality in a way that simultaneously exaggerates stillness and obfuscates motion. I think about events and their relation to representation.” justinserulneck.com/ vimeo.com/user1892489 Sigue leyendo
La mar salada by Elena Duque (ESP)
2014 “Nuestro amor es azul, como el mar, azul” Christian Castro Película sobre la mar salada (gallega y sobre todo coruñesa), con popurrí de canciones marineras (asturianas) de la Coral Bajamar de Luanco recordadas al vuelo. cargocollective.com/elenaduque vimeo.com/elenaduque Sigue leyendo
1000 Plateaus by Steven Woloshen (CAN)
Made entirely in the front seat of a car, “1000 Plateaus” is a true road movie. 2004 – 2014 scratchatopia.tumblr.com/ scratchatopia.wordpress.com/ vimeo.com/user6129068 Sigue leyendo
Vertieres I II III by Louise Botkay (BRA)
A batalha de Vertières foi a última antes da retirada do exército de Napoleão do Haiti, que se tornou a primeira nação independente da América Latina e do Caribe. Botkay apresenta três incursões fílmicas ao processo histórico, social e político haitiano. Explorando eixos como disciplina/controle, natureza/ternura e ruína/resistência, a obra investiga índices de domesticação e … Sigue leyendo
TM by Pablo Marín (ARG)
Fragments of 35mm films were cut along and reperforated into 16mm gauge. The result of this sort of amputation, of physical reduction, it is an image struggle on two levels, where the conceptual ground of found footage (stealing, recycling, subverting) meets the technical battlefield between formats (each 35mm is frame divided into two consecutive 16mm … Sigue leyendo
