Hambre in Festival Ibrida pluri* – Espace Notre-Dame, Montreal-Canada
eventos

Hambre in Festival Ibrida pluri* – Espace Notre-Dame, Montreal-Canada

In collaboration with groop*index, hambre presents the following films at Festival Ibrida pluri* – Espace Notre-Dame: – Dança dança fogo dança by Pedro Ferreira (Portugal) 2012- 6min40 – Mutizona by Leonardo Zito (Argentina) -2013- 4min2 – être chat by Sebastian Wiedemann + Juliette Yu-Ming (Brazil/Colombia/France/Japan) -2014- 19min26 More info here 17-18 July Espace Notre-Dame Montreal Canada Sigue leyendo

Realisms of Precariousness by Hambre and Colombian Film Panorama (Birkbeck University -London)
eventos

Realisms of Precariousness by Hambre and Colombian Film Panorama (Birkbeck University -London)

Arts Week 2015: Precariousness in Latin American Cinema Radical approaches to precariousness and violence in Latin American Cinema will be showcased in a stunning quartet of contemporary films from Brazil and Colombia which will be screened at Birkbeck, University of London. Realisms of Precariousness, a three-day series of free-to-attend screenings which push the boundaries between … Sigue leyendo

CONFERENCE by Norbert Pfaffenbichler (AUT)
fórum

CONFERENCE by Norbert Pfaffenbichler (AUT)

CONFERENCE (2011) Norbert Pfaffenbichler (AUT) 8 min In this grotesque found-footage-film close-ups of 65 actors playing Adolf Hitler in movies created between 1940 and today are combined in shot/countershot-manner. The soundtrack is produced by the Austrian composer Bernhard Lang. No other historical figure of the 20th century was portrayed more often in movies and by … Sigue leyendo

On “Artists’ Cinema” and “Moving-Image Art”
grafías

On “Artists’ Cinema” and “Moving-Image Art”

On “Artists’ Cinema” and “Moving-Image Art”* By Roger Beebe download PDF   I was asked to write about the present and future of “artists’ cinema” and “moving-image art.” This language conflates two traditions that I still have a stake in separating: experimental film and (gallery/museum) video art. It’s a move that I’ve seen frequently enough … Sigue leyendo